Ocean Park #94

Date: 1976
93 1/8 x 81 1/8 in. (236.5 x 206.1 cm)
Signed:"RD 76" lower left; "Top/R. Diebenkorn/Ocean Park #94 – 1976" reverse
Credit Line: Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, Gift of Phyllis G. Diebenkorn, 1998.142
Cat. raisonné no.:4264
Obj. no.: 1515

John Russell, "Diebenkorn's Stunning Achievement," New York Times, 5 December 1976; "The Ocean Park Series: Bay Artist in Major Exhibition," Evening Outlook (Santa Monica), 30 July 1977, as "Ocean Park Series, No. 4, 1954"; Los Angeles County Museum of Art, "Richard Diebenkorn: Paintings and Drawings, 1943–1976," Members' Calendar, August 1977, cover; Henry J. Seldis, "Diebenkorn's Triumphant Retrospective," Los Angeles Times, 21 August 1977; Gordon J. Hazlitt, "Diebenkorn: The Painter's Painter," Hughes Airwest Sundancer, September 1977, 43; Terry St. John, "Diebenkorn: A Retrospective Exhibition," Art (Art Guild of the Oakland Museum Association), September–October 1977, 2; Ann Gold, "Diebenkorn Magic Returns to the Oakland Museum," San Francisco, October 1977, 108; Phil Mumma, "A Quiet Californian Is U.S.' Hottest Artist," The Museum of California 1, no. 4 (October 1977): 15; Beth Coffelt, "Doomsday in the Bright Sun," San Francisco Sunday Examiner and Chronicle, 16 October 1977; Nancy Marmer, "Richard Diebenkorn: Pacific Extensions," Art in America, January–February 1978, 97; William Wilson, "Digging for Roots at Venice's Biennale," Los Angeles Times, 9 July 1978; William Wilson, "The Year of the Buck," Los Angeles Times, 31 December 1978; Art in Embassies, U.S. Department of State, Arte en la Embajada (Caracas, 1979), cover (detail), n.p.; "Art Collection at U.S. Embassy Residence," Daily Journal (Caracas), 15 May 1979; Baiba Pecins, "Richard Diebenkorn among U.S. Artists Visiting Venezuela," Daily Journal (Caracas), 20 May 1979; Jacques Maquet, The Aesthetic Experience: An Anthropologist Looks at the Visual Arts (New Haven, 1986), 192; Nordland monograph 1987, 192 (rev. ed. [2001], 196); Kenneth Baker, "Visit a Museum Without a Set Purpose," San Francisco Chronicle Datebook, 7 June 1992; Carol Vogel, "Inside Art; Reopening in Midtown," New York Times, 14 August 1998; Kenneth Baker, "A New Force In Art Education," San Francisco Chronicle, 10 January 1999; "Acquisitions, 1997–1999," Journal of the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University 1, 1998–99 (2001): 91; Suzanne Loebl, America's Art Museums: A Traveler's Guide to Great Collections Large and Small (New York, 2002), 104; Sarah C. Bancroft, Susan Landauer, and Peter Levitt, Richard Diebenkorn: The Ocean Park Series (Newport Beach, Calif.: Orange County Museum of Art, 2011), 107, pl. 41; Kenneth Baker, "Cantor Center Swaps Its Layout," San Francisco Chronicle, 13 January 2011; Iva Gueorguieva (New York, 2016), 12; Eric Huang, "'Figuration/Abstraction' Features Cantor's Best," Stanford Daily, 8 April 2016.

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